Author: Swagger

Artist | Rapper | Unique Vibe | Only Sytrus | Beat Producer | Singer | Wonder Trance | Blogger | Designer | Photographer | deaLazer.com<-- Books and onsite Phone Player

How to make that dank sound out of the fruity vocoder? You will need 1 — vocal, and 2. The carrier is the synth. To make the sound with ease, you need to pan your vocals to the right and the carrier to the left. Then send them separate to the right mixer unit. Just plot in a new unit in the mixer and toss a Fruity Vocoder in there. As in picture the mixer unit, five of them are right panned, which is vocal, and that one is linked to mixer unit 6. And mixer unit 4 is the…

Read More

This tutorial consists of three different tutorials for Pitcher: You might want to use the Pitcher for your vocals. To get a pitched vocal based on your playable notes. It’s dead simple! Insert a midi out in the step sequencer!: Set the “PORT” to 1. Now insert the Pitcher into a vocal mixer unit!: You see the MIDI button, push that one and then; Change from .. to 1 on the MIDI Input Port Number: “Down on the left side on pitcher” After you push MIDI.” On some midi input, it will sound like this on anything: If you have…

Read More

To make analog sound from digital to analog isn’t quite easy. But nearly possible with this tutorial. Anyway, to make that analog sound, you have to maintain all envelopes in Maximus like this: The highest sound will be limited somehow, but kicks are limited at already at -1.5dB here because they don’t need more senior levels than that. “Mainly focusing only on -6dB peak kicks will give you bigger room for thinking, since having higher than -1.5dB in overall the track will be limited to around that level anyway in the final stage of Maximus Master Channel. — Any errors…

Read More

Since you already don’t know the full length of the sound, a Creative SB1300 with Razer Kraken gives. It vibrates out for you the most changing frequencies at around 224Hz — Center at fullest refreshment for any producer to know the stake that is at that center. Somehow most producers are blinded at that range and can make a wrong move on either their bass or kick and even for other instruments. That can be annihilating to their production. There are always different prospects of about 224Hz centers. Many artists already EQ at that range on their master channel. Since…

Read More

Has it that dry sound? Well, you are familiar with Nexus. It has all only wet instruments. Meaning they have plugins which create an effect, and then increases less possibility to tweak the effects like reverb and delay. This means you can’t do anything to the effects you put on the sound. Dry sound is capable of delivering the precise sound of experience. Just Eq some, then gain with Fruity Limiter, as well as do some Fruity Waveshaper for distortion if you are able to manipulate the processing of distortion to any given bass. Well, it’s not all about having…

Read More

To denoise your vocals, it isn’t hard, but it’s necessary even to gain the sound levels, to also have the best possible source to use to put your effects on. Some results will not have a good quality based on the original recorded source, especially reverb, which does not sound right without denoising. So get down to business, open your projects with already placed vocals in its playlist. Then edit the file pushing slowly on the wave button on the left of each sample or you already perhaps have it in your Edison: It will open the Edison: For beginners,…

Read More

To record with FL 12, you have to set the right input for your soundcard. In ASIO settings The hard clip isn’t good since it will clip your sound hard and not reduce the amplification softly. That is often an issue with FL Studio Asio, so instead have that off. But remember to as well not set your input to way to high than you do deliver, make tests several times see what suits you. There is no problem recording -12dB vocals as you can gain around 15dB with Maximus and still have studio recording vocals out of them. Tip:…

Read More

With the analog stuff, you really need this mint for your production line. The cool preferences it has is to the very calm and nice sound it reproduces it is a must-have these days. You don’t want to sit with the Nexus, do you? But with Nexus you have preset – This plugin is bad on presets! You gotta make them on your own! Tweak and Tweak it to your sound. And you become the best producer in town! Download: HahahaCS33 at loopswag.com

Read More

This gorgeous autotalent can pitch to change your vocals into the desired amount of pitch. Making your vocals pitched these two versions of Autotalent will kick the lommest ass. This is ultimate if you are using automation to even the pitch. That can make your vocals or even data vocals made by data voices stand out different. Now with two different versions, you can really focus on what you do. Download: autotalent at loopswag

Read More

One of these cool synths with different sounds than anything else out there. Has that touch many plugins tend to not balance that right especially when it’s about analog ambient sound. Alieno is Acrobatics’ peculiar performance monophonic synthesizer with advanced step-modulation. It is easily suitable for lead lines, sequences and special FX synthesis. The SCI-FI look and feel with 12 skins and plenty of original sounds in the extended library is included. A deeper edit is guaranteed by the object-oriented graphic interface, letting you choose between different sound generators, filters, and modulations schemes just as in a spaceship environment. The…

Read More

This cool loop pack is nevertheless something you don’t want to miss. It’s made by the use of Yamaha RS7000 an analogue hardware synth. All set to 127 bpm .wav 32-bit with 17 Loops. With the cool crisp fresh sound of hardware, these loops are unique indeed. To arrange Duvina would be hard systematic work, but it is possible. Somehow not for us yet. Testing the sound day from day, Dealazer might play this track live. Download: Duvina LoopPack Yamaha RS7000 – 128 bpm by Dealazer

Read More

Very cool synths for the demands with different cool knobs to work with. Mostly for that dubstep style. But it can really whip a rap track around. Has that unique dry sound most would want to search after for their projects. Different ways to form your sound or even use the presets to learn how to make a track. The collection has 6 synths of .dll 32bit. It has no Mac versions. Enjoy a good collection: Download: Itchy Synths at loopswag.com

Read More

Mhorse is the finest tool for basses especially. It takes a boring low amplitude bass to sick heights. One in a kind solution for any master engineer for the best solution to the bass frequencies with something called New York compression. Sometimes you wanna add in another punch to your bass or kick. As master solutions, it takes it to higher amplitude without causing artificial or distorted sound. A one and only no distortion gainer. Pick from Mhorse P3 high processing plugin to a lower CPU load of Mhorse. Download Mhorse Mastering Tools: MHORSE at LoopSwag

Read More

6144 is one of these finest precision equalizers. If your kick has that distortion, to even help your vocals to be more vibrant and unique, you probably need this for a sound with the addition of greater pop. To the greater range of sounds needed in mostly anything out there. The 6144 is the one and only. We would not say use that parametric eq monitor when it’s dead to precision. But use it to reduce sound more precisely. The instruments could have a 1.0 Q drop of around -2.8dB at 3000Hz for your listeners to even have the possibility…

Read More

With your phone, you could earn around 10$ to 20$ each day, depending on what deal you get with your phone operator. Some advertise for about 200-500 free sms each day. The more lucrative deals are SMS sent abroad to other countries. So do you want to earn at least 10$ starting today? Then follow this full guide! So here is a list of some merely important applications that you can easily install on your phone. Some you only find on google, since many of these do not install the application through google. Many of these are verified to not…

Read More

There are several ways you could do a hard house or hard trance track. These tracks have been on for ages and you might have listened to many of these tracks for a long time since nearly the beginning of 1996. What is the specialty of these cool tracks that have been made? Not only the drumset but also the vibrant cool ensembles and pads in the track have made them what they are. A dreamy way of launching sounds in vibrant ways together. And it is settled nevertheless in a specific system. And sounds very delightful in a dreamy…

Read More

You need more quality in the 3000Hz+ field. Remember to always have at max -9dB peaks with percussion and all that. So I would want more EQ EQ EQ on all sounds +3000Hz. So you need parametric EQ 2 and reduce bump levels down. Then on master put on Edison. And record your track. You need to use the spectrum view in Edison to clearly see your levels. Right-click on the wave on Edison. Push the button on V then push the button S. You will suddenly see a spectrum. Like this below: Make sure your track has smooth levels…

Read More

There are several videos on YouTube but most can’t find the good ones. We have made it really easy in the work to add simply 3 different videos that truly can increase your learning. You need something magic to learn. https://www.youtube.com/watch?v=dxbPXPq9aeA Key tools to Hip Hop were already shown in the video above. It would be better to watch all, wouldn’t it? IF you want to succeed with music, things need to do, not just learn, it’s an important thing in your life, for most musicians if you are not doing what you like, you don’t make anything. Did you…

Read More

When producers come together and make music overseas, there are several things to have in mind. First, the producer can make the track very correct. But timings of vocals might be way out of proportion or is too late or too short in the right placement. What we do first when that occurs? Is to create the track 0.25 Ogg files track out of the steems of the project vocals and the beat into a new project. Why 0.25? That’s the Edison compression rate for .ogg files, and we need this for the lowest possible file trade for the producer…

Read More

When you try to render your project, your .wav or .mp3 might sound like it is not the same as the project? So this happens to anyone because of settings in some plugins that render different in render-mode than in play-mode. Several plugins can sound bad or worse with rendering into .mp3 or .wav. Somehow some plugins like perhaps Sytrus does produce better quality. But some plugins produce lesser or bad or eventually awful sound as the rendering process is used. So you know that by Sytrus plugin that there is an option for oversampling in the plugin. Surely it…

Read More

The most common envelope generator has four stages: attack, decay, sustain, and release (ADSR). The attack is the time taken for the initial run-up of level from nil to peak, beginning when the key is pressed. Decay is the time taken for the subsequent run down from the attack level to the designated sustain level. Sustain is the level during the main sequence of the sound’s duration until the key is released. The release is the time taken to decay from the sustain level to zero after the key is released. While attack, decay, and release refer to time, sustain refers…

Read More

At least we understand that music production is related to learning wrong from the first time, which makes you able to apprehend. Sometimes we make music, sometimes we do equalize and all other stuff related to sound designing your track. And mostly we do what others do, we tend to do the same faults as anyone else as well, we learn to be lazy, and we learn to overcome obstacles by programming our music. Mathematics Since FL Studio is a gigantic mathematical system that is only resolved mathematically, we tend to use FL Studio as a programmable music program. Therefore…

Read More

Firstly, it’s not always easy to explain what Saturation is, perhaps what distortion is, on the other hand, nearly the same specifics? The Saturation you add on sound or the whole track often lights up a new dimension of sound making. Perhaps it hits a different proportion in your music by using at least one product with distortion. Somehow the main cause that a sound is transformed into a difference of waves called sine into something like a square. Pictures below describe the difference between a sine wave and square, which is often not a consistent wave but has spikes…

Read More